Over the next 14 years Difford and Tilbrook remained the only constant element as Squeeze continued to receive critical acclaim, release albums and tour, with the likes of ‘Hourglass’ becoming their biggest ever hit in the USA.ĭespite an official Squeeze break-up in 1999, Difford and Tilbrook continued to make music and gig with the same enthusiasm and abandon that they brought to Squeeze’s first EP, either with their own solo projects or with each other. But the band couldn’t lay dormant for long, as Squeeze reformed the next year for ‘Cosi Fan Tutti Frutti’, along with Holland, Lavis and Keith Wilkinson, Squeeze’s longest serving bass player. The chemistry between Tilbrook and Difford could not be as easily dismissed however, and the ensuing record they made together in 1984 has become the “lost” Squeeze album for many fans. With albums ‘Argybargy’ and the Elvis Costello-produced ‘East Side Story’, Squeeze even started to make waves across the pond, although in 1980 former Roxy Music and Ace – and future Mike + The Mechanics – man Paul Carrack would replace Jools Holland, going on to lend his unmistakable vocals to the smash hit ‘Tempted’. Featuring the classic single ‘Up The Junction’ as well as the title track, it was many listeners’ first introduction to the witty kitchen-sink lyricism and new-wave guitar music that has become the band’s trademark. Yet it was second album ‘Cool For Cats’, released in 1979, which cemented their place as one of Britain’s most important young bands. When Gilson Lavis replaced Gunn on drums everything seemed to fall into place, and word of mouth soon spread about the band – ironically, it was none other than Velvet Underground man John Cale who caught wind in 1977 and offered to produce their debut EP ‘Packet Of Three’ and much of the ensuing album. Nearly 50 years later, with their legacy intact and as vital as it has ever been, Squeeze are still touring and reminding fans worldwide just why they have left such an indelible impression on the UK’s music scene.Īs teenagers on the South London scene, Squeeze – setting out their stall early on by facetiously naming themselves after a poorly-received Velvet Underground album, and at the time also comprised of Jools Holland on keys, Harry Kakouli on bass and Paul Gunn on drums – became a fixture of the burgeoning New Wave movement.

Teenage friends Chris Difford and Glenn Tilbrook form the band that will see them dubbed ‘The New Lennon and McCartney’.

Squeeze band